Offshore may refer to:
Offshore (1979) is a novel by Penelope Fitzgerald. It won the Booker Prize for that year. It recalls her time spent on boats on the Thames in Battersea. The novel explores the liminality of people who do not belong to the land or the sea, but are somewhere in between. The epigraph, "che mena il vento, e che batte la pioggia, e che s'incontran con si aspre lingue" ("whom the wind drives, or whom the rain beats, or those who clash with such bitter tongues") comes from Canto XI of Dante's Inferno.
Maurice
Grace
Dreadnought
"Offshore", when used relative to hydrocarbons, refers to an oil, natural gas or condensate field that is under the sea, or to activities or operations carried out in relation to such a field. There are various types of platform used in the development of offshore oil and gas fields, and subsea facilities.
Offshore exploration is performed with floating drilling units.
Human resources is the set of individuals who make up the workforce of an organization, business sector, or economy. "Human capital" is sometimes used synonymously with human resources, although human capital typically refers to a more narrow view (i.e., the knowledge the individuals embody and economic growth). Likewise, other terms sometimes used include "manpower", "talent", "labour", or simply "people".
Staffing is a process of hiring, positioning and overseeing employees in an organisation.
Pioneering economist John R. Commons used the term "human resource" in his 1893 book The Distribution of Wealth but did not further build upon it. The term "human resource" was subsequently in use during the 1910s and 1920s as was the notion that workers could be seen as a kind of capital asset. Among scholars the first use of "human resources" in its modern form was in a 1958 report by economist E. Wight Bakke. The term began to become more developed in the 19th century due to misunderstandings between the employers and employees.
Manpower is an album by Miquel Brown, recorded in 1983. Includes the major international hits "So Many Men, So Little Time" and "He's a Saint, He's a Sinner" which peaked at number two and number twenty-nine respectively on the US dance charts, as well as the moderate hits "Beeline" and "Sunny Day."
"So Many Men, So Little Time" is considered by many within the male gay community to be one of the greatest dance songs from the 1980s. It was included in the 1997 independent film, Kiss Me, Guido and in the 1998 queer coming of age film, Edge of Seventeen.
All tracks composed by Ian Levine and Fiachra Trench; arranged by Fiachra Trench
Manpower was a short propaganda film produced by the US Office of War Information in 1942.
Made early shortly after America's entry into World War II, the film addressed the problems associated with the labor market adjusting for war time, such as people with the wrong skills rushing to a town looking for war work, and labor shortages in essential industries. The film discusses how the Roosevelt administration dealt with the problem by the establishment of the Federal Employment Commission, which brought together representatives from labor, management, and the military to organize war production effectively, the test case being in the city of Baltimore.
In spite of this action, there were labor shortages, and people had to be taken from other occupations and put into war work. Different examples are given and briefly dramatized: